兒時(shí),與父輩、同輩一同沉浸在書本上描繪的天安門城樓,在事后的幻想中“茁壯”成長。傳統(tǒng)的輾轉(zhuǎn),直到當(dāng)下的唐突,總在迷惑不清的詞句中堅(jiān)定又否定。盲從、愚昧、執(zhí)著,生生不息,一切在啼笑中經(jīng)歷。 紫禁城的具體存在,早已被經(jīng)濟(jì)發(fā)展的外在文化不斷侵蝕并滲透到城的里外。紫禁城的內(nèi)在個(gè)性,則無一不被舊日的韁繩逐漸拉回原地。在內(nèi)虛與外強(qiáng)的霸氣中,形而上學(xué)的迷霧,一層層遮蔽著茫然的存在。就象“金水橋獅子”和“故宮里的銅獅子”,雖材質(zhì)不一,但神似的霸氣與好強(qiáng)恰恰對應(yīng)了當(dāng)下與過去的一致。在看似清晰卻又迷惑的發(fā)展中,何時(shí)才能走出不確定時(shí)代那隱患的病變? Ma Kang's UNCERTAIN TIMES makang As a child, along with both older generations and my contemporaries, I was immersed in the fantasy of Tian’anmen. This was fostered by the descriptions of grand towers and gateways which I encountered in books. Under both the weight of centuries of tradition and contemporary illusions of grandeur, I became lost in a mist of confusing and contradictory words. My nation and I have been following the path of life with a stubbornness and naivety in the midst of both happy and bitter experiences.
華表 金水橋石獅子 工農(nóng)兵雕塑 人民英雄紀(jì)念碑 太和殿 故宮里的銅獅子 天壇 圓明園 鳥巢
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